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Ranking Shania Twain's 37 singles in honor of her 50th birthday
Entertainment
Weekly
by Madison Vain
August 28, 2015
Shania Twain, country queen and the only current touring act holding a candle to Taylor Swift’s affinity for sequins and glitter, turns 50 today. Over the course of four albums and one greatest hits collection, she’s released 37 singles, from her defining “Whose Bed Have Your Boots Been Under?” off her sophomore effort—which sold 20 million copies and somehow still pales in comparison to her third album, Come On Over, which sold 40 million copies—to the sass-pot “Man! I Feel Like A Woman” and swinging stomper “Honey, I’m Home.” In honor of Twain’s birthday, here’s EW’s definitive ranking of all 37 singles.
37. “Ka-Ching” (2003)
Twain saucily preaches
anti-consumerism on this 2003 release. It’s triumphant, true, and offers a
side-eyed look at the U.S. while serving as a sonic precursor to Destiny’s Child
(that is not a joke), but it doesn’t necessarily ring true to Twain.
36. “Today Is Your Day” (2011)
“Today Is Your Day” was
recorded as a promotional single for the documentary TV series Why Not? with
Shania Twain and was the singer’s first recorded work in over six years.
It’s also the first thing she recorded without Mutt Lange, who she’d divorced a
few years prior, in over 18 years. All of which makes its message of new
beginnings feel warm and fuzzy.
35. “I Ain’t No Quitter” (2005)
Off her Greatest Hits
album, “I Ain’t No Quitter” is good old fashioned country radio fun. It’s her
lowest peaking single, ever, but as the title suggests, it’s not worth
forgetting.
34. “Thank You Baby! (For Makin’ Someday Come So Soon)”
(2003)
No thank you, Shania! “Thank You Baby!” is hardly
required listening when it comes to Twain’s catalog, but it’s a mid-tempo ballad
that swings just right for a lazy afternoon.
33. “I’m Holdin’ On to Love (To Save My Life)”
(2000)
This was the 12th single off Come On Over. Did that
ring loud and clear? This was the 12th(!!) single off Come On Over.
Some artists today don’t even release albums with 12 tracks. But this is Shania
and the year is 2000 and it’s a perfect mixed bag of her country roots—slide
guitar accents are heavy-handed—and pop production sensibilities. Twain was
never shy in admitting that she makes music to sell
music, and after getting through 12 singles and 40 million albums
sold, it’s safe to say, “Job well done.”
32. “God Bless The Child” (1996)
Putting a song out that
has absolutely no instrumentation is something you might think only Beyonce
has the bravado to do—but you would be wrong. On “God Bless The Child” it’s just
Shania and her echo. EW gave the effort a B at the time of release, saying,
“While her sentiments are pretty naive, her pipes sound plenty experienced. With
a vocal boost from members of Take 6, Twain whispers and shouts on ‘God Bless
the Child’ with enough passion to make us temporarily forget her pinup
looks.’
31. “You’ve Got A Way” (1999)
If you recognize this song,
but only sort of, that’s because it was remixed for the instant classic film Notting
Hill. It’s hard to imagine a song being more immediately
wedding-ready than this tune—what with her whispering, “I love you just the way
you are”—but it falls short of Twain’s more gripping performances.
30. “Party for Two” (2004) – with Billy Currington
It’s
hard to believe that if Shania Twain called you up and said, “Hey, I’m having a
party, wanna come?” you would say no. But that’s exactly what Billy Currington
does on this mid-tempo ditty—at first. Understandably, it’s not long before he’s
putty in her hands, asking what to wear (Oh Billy!) and when to come over. Lucky
for him, turns out Twain is just looking for a party where just the two of them
will tango.
29. “Don’t!” (2005)
“Don’t!” is the second single off
Twain’s Greatest Hits collection and it sounds absolutely perfect for middle of
the night radio stations to play for truckers who want to get in touch with
their softer side while rolling through Kansas. Which is to say, it’s fine and
it has its time and place.
28. “You Lay a Whole Lot of Love on Me”
(1993)
When you think about Shania Twain, there is
absolutely no way this is the sound that’s most reminiscent: twangy, gussied,
and ready for its debut at Incahoots. It can be jarring to go back, and while
this tune is a remarkable display of Twain’s vocal talents, it’s not a whole lot
else.
27. “When” (1998)
“When” was never
released to the U.S. as a single but was the second song off Come On
Over to release in the U.K., which shows how Twain and Lange figured out
not only how to sell different music and mixes to different parts of the world,
but also how Twain’s sound was changing to more crossover-friendly fare by
‘98.
26. “Rock This Country!” (2000)
This was
the 10th single off Come On Over. As such, could it be perfect? No! Who
could have ever anticipated how much space it would get to shine! (And also, how
are you conceivably going to “rock this country out of this world”?) That being
said, it’s fun and memorable enough that Twain is currently, 15 years later, on
her Rock This Country! Farewell Tour.
25. “Don’t Be Stupid (You Know I Love You)”
(1997)
It’s not like we don’t know Twain’s recipe for
success—hair-flipping lyrics, indulgent mandolin backings, shimmering
production—but this is probably where its most felt that she’s spooning you last
night’s casserole rather than telling you what she actually thinks.
24. “Home Ain’t Where His Heart Is (Anymore)”
(1996)
Before there were exclamation points in all her song
titles, there were parenthetical phrases. (See songs above and below.) On “Home
Ain’t Where His Heart Is (Anymore)”, Twain laments a love long gone. It’s simple
and sad, and the male backing harmonies only make it more so. If “It Only Hurts
When I’m Breathing” wasn’t still coming, this would be higher.
23. “The Woman in Me (Needs the Man in You)”
(1995)
The title track off Twain’s 1995 album does
something very few of her songs do: Bow to weakness. Twain is pleading with her
man to take the reigns when she needs his strength. The chorus is nice—how wrong
can you really go with pipes like hers?—but it falls flat elsewhere.
22. “You Win My Love” (1996)
How do you
get a girl like Shania to take notice? Well, work for it! Rev up your
(metaphorical) engine! Speed up your (metaphorical) approach! There’s no
(metaphorical) speed limit! Get in there! “You Win My Love” was Twain’s third
No.1 country radio tune and a nice taste of her sass that would define the rest
of the decade.
21. “Love Gets Me Every Time”
(1997)
Twain’s been bit by the love bug on this
finger-snapping tune that sways real nice and purrs real sweet. EW reviewed the song at the time of
release saying, “As with her other efforts, this one matches a creamy vocal, an
infectious pop superstructure, and hoedown fiddle with a mindless country lyric.
Why mess with a successful formula?” We’d like to second ourselves.
20.Shoes (2005)
Twain recorded “Shoes”
for ABC’s Desperate Housewives and it does a nice little trick. It
pairs Twain-the-Man-Eater with a men-as-shoes metaphor (Some polish up real
nice! Some are just everyday loafers!) for a tasty country-leaning pop tune.
19. “Dance with the One That Brought You”
(1993)
Twain wants to impart some wisdom on this tune off
her first album and if we can sum it up, “Don’t go chasing waterfalls.” Nope,
she wants you to stay with the guy who loves you true, constant, and
kindly—don’t try to snag the life of the party! Which makes sense but is sort of
‘meh’ on the good advice scale. (Even if he’s boring? We have to stick around?)
Its wonderful roll keeps it in the top 20 but that’s as far as it’ll go
here.
18. “Endless Love” (2012) – with Lionel
Richie
Alright, this is originally Richie’s tune,
and he first recorded it with the great Diana Ross, but Twain is an
unforgettable addition on this version. With its gentle acoustic pluck and their
honeyed harmonies, it belongs on the end credits to your favorite Disney
princess tune.
17. “She’s Not Just a Pretty Face”
(2003)
It’s not billed as such but “She’s Not Just a Pretty
Face” is a nice companion piece to “That Don’t Impress Me Much”—if the latter is
about all the things that won’t have Twain drooling, the former tells us a
little bit about what the singer respects: Surviving with a smile. Twain had a
rough upbringing — both her parents died in a car crash at 22 and she was left
caring for her younger siblings — and this is really her only single that
has ever conveyed she’s really singing about herself.
16. “Up!” (2003)
Instantly singable
(“Up, up, up, can only go up from here!”), instantly quotable (“I wish that I
could grow a beard!”), there’s probably no song that better demonstrates Twain’s
effortless knack for good melodies, lyrical sass, and a winking delivery. (Also,
her penchant for exclamation points.)
15. “Come On Over” (1999)
Come On
Over, the top-selling album by a female ever (remember those 12
singles we mentioned?) topped the Billboard Top Country Albums chart for 50
weeks and its Grammy-winning title track is a standout on the collection—a
charming, empowering tune about just trying to get by.
14. “When You Kiss Me” (2003)
Love songs
aren’t new, love ballads are even less new, but between Twain’s pining and some
seriously impressive mandolin and steel guitar layers, the familiar comfort of
“When You Kiss Me” is a tale as old as time that we don’t mind hearing again and
again.
13. “What Made You Say That” (1993)
Shania
Twain’s first single! It didn’t move the needle much in ‘93 and it lacks much of
the bravado she made her name on later in the decade but listen to that
full-throated twang! Twain has said she retired after Up! because of a
decreased vocal performance—which seems sort of ludicrous listening to it
until you remember how round her voice used to be. (She’s back in perfect vocal health for her current tour.)
12. “It Only Hurts When I’m Breathing”
(2004)
“It Only Hurts When I’m Breathing” was released as
the eighth single off her 2002 album Up! and it basks in welcome
misery. She sings “My heart only breaks when it’s beating” over a howling choral
backing, and tugs all your insides down to the doldrums.
11. “From This Moment On” (1998)
Between
the sequins, steel guitar, and her sassy struts, it’s conceivable that somewhere
in the mid-’90s you might have forgotten what a truly great vocalist Twain is.
“From This Moment”, her understated and atmospheric ballad that features country
singer Bryan White, was a swift reminder.
10. “(If You’re Not In It For Love) I’m Outta Here!”
(1995)
First, a few notes about “(If You’re Not In
It For Love) I’m Outta Here“?‘s music video: Shania, you are the original crop
sweater-wearer! Second, between the overalls, flannel cutoffs, and
amazing choreography (a classic body roll! disco arms! air guitar!) this is a
’90s baby’s dream. And just try to stop yourself from clapping along to this
irresistible track.
9. “You’re Still The One” (1998)
“You’re
Still The One” reached No. 2 on the Billboard Hot 100, making it Twain’s most
successful crossover tune, and was sealed in the history books when VH1 included
it on its 100 Greatest Songs of the ’90s.
(Also, winning two Grammys didn’t hurt. The song took home hardware for Best
Country Song and Best Female Country Vocal, though it was robbed of Record of
the Year and Song of the Year. “My Heart Will Go On” won instead.)
8. “Any Man of Mine” (1995)
Twain’s
crossover appeal was solidified for the first time with this tune that became
her first country radio No. 1 and also her first song to break the Top 40 on the
pop charts.
7. “No One Needs To Know” (1996)
Luke
Bryan isn’t the only artist who gets to cycle through six singles per album.
“No One Needs To Know” is the twangy, jangling, third consecutive Billboard Hot
Country Songs No. 1 off The Woman in Me that found itself on the
soundtrack for the brilliant cinematic endeavor, Twister.
6. “I’m Gonna Getcha Good!”
(2002)
Talk about finding the sexy in monogamy.
“I’m Gonna Getcha Good!” is full of lyrics like, “You’re a fine piece of real
estate, and I’m gonna get me some land” and diva swagger like, “Here’s how
it’s gonna be / I’m gonna love you and you’re gonna fall in love with
me” that has us reconsidering our usual pickup lines.
5. “Honey, I’m Home” (1998)
Another
year, another album that Shania Twain cycled through six singles. “Honey, I’m
Home” was Twain’s final No. 1 country radio tune. Here, Twain’s had a long day
and getting pampered in the form of a brewski and a foot rub is the only
cure.
4. “Forever and for Always” (2003)
Twain
is a master at sass, but she’s no one trick pony. “Forever and for Always” was
the third single off her last album,Up!, and it’s so fresh that even Febreze had to have it.
3. “That Don’t Impress Me Much”
(1998)
Before there was “Man! I Feel Like A Woman”, there
was the coy, seductive, stiletto stomper “That Don’t Impress Me Much.” In
between trips through the slinking chorus, “Don’t get me wrong, yeah I think
you’re alright / But that won’t keep me warm in the middle of the night” she
pokes fun at gear heads who kiss their cars at night, the rare breed of dude
more vain than your prom queen, rocket scientists, and even Brad Pitt. Which is
to say, bow down, babes, you’re all found wanting.
2. “Man! I Feel Like A Woman”
(1999)
Forget the line, “The best thing about being
a woman / Is the prerogative to have a little fun”, by the time Twain saucily
says, “Let’s go girls,” at the 3-second mark. Well, we’re ready to—wait what are
you wearing, Shania? A top hat and satin trench? A leopard print body
suit? Okay cool, me too! I’m ready! ANYWHERE WITH YOU SHANIA! Many agreed, the
tune went top 10 in six countries and won a Grammy for Best Female Country
Performance that year.
1. “Whose Bed Have Your Boots Been Under?”
(1995)
Jealousy has never been so jangly! “Boots” is the
first single Shania wrote with then-husband Mutt Lange, her first Gold-certified
tune, and also Twain’s first U.S. country radio hit—though somehow it only
peaked at no.11. We got you girl, it’s No. 1 here.
.